The natural spatialization of the sound enhances the immersion of the audience. Indeed, the Organous is deployed through different modules that can be positioned as desired. In the center of the installation, the spectators are bathing in an ocean of sounds coming from the four corners of the space, but they can also move and get closer to the pipes of the instrument. New qualities appear then appear: where at a distance, the music spreads like a sound halo that permits listening to the whole, this new proximitý makes it possible to seize the integralitý of the sound palette of the instrument, renewing the way of apprehending organ music, which is traditionally listened to at a distance.
The scenography, which will be realized by the Belgian visual artist and director Kris Verdonck, will also intensify the spectator's experience. Renowned for his immersive work, he will seek to poetically translate the atmosphere of the chill-outs - these areas of the techno party intended for the dancers to rest - through spectacular means. The light in particular, will allow to suggest the rhythmic elements absent from the musical score, thus producing a sensory metaphor of the aesthetics of techno.
By giving the computer the control over an age-old instrument and by immersing the public in a hybrid sound environment where acoustics and electronics merge, Elevations proposes a transversal musical experience where all classifications are blurred.
