Publications | A Two Dogs Company - Kris Verdonck

Machine Made Silence. The Art of Kris Verdonck

Edited by Peter Eckersall and Kristof van Baarle With a preface by Guy Gypens. Performance Research Books, Aberystwyth, UK,  204 p. - 49 color images (2020)

Dramaturgy of Extinction: Sentient Landscapes, Spectral Bodies, and Unthought Worlds in Kris Verdonck’s Conversations (at the end of the world) and SOMETHING (out of nothing)

MANSBRIDGE Joanna. Contemporary Theatre Review, 32:2, 124-139, DOI: 10.1080/10486801.2022.2047034 (2022)

From the Cyborg to the Apparatus: Figures of posthumanism in the philosophy of Giorgio Agamben and the contemporary performing arts of Kris Verdonck.

VAN BAARLE, Kristof. Dissertation, Ghent University (2018)

Listen to the Bloody Machine: Creating Kris Verdonck’s END.

VAN KERKHOVEN, Marianne & NUYENS, Anoek. International Theatre and Film Books in collaboration with HKU, Utrecht (2012)

On Composite Bodies and New Media Dramaturgy

VERDONCK, Kris and ECKERSALL, Peter. In: STALPAERT C., VAN BAARLE K., KARREMAN L. (eds) Performance and Posthumanism. Palgrave Macmillan, Cham. Pp. 111 - 124 (2021)

Dramaturgical Analysis, a Relational Approach

GROOT NIBBELINK, Liesbeth; MERX, Sigrid. In FORUM+, vol. 28 (3), p. 4-16 (2021)

SEGAL TALKS: Kris Verdonck

VERDONCK, Kris en HENTSCHKER, Frank (2020) - https://www.youtube.com/watch?v=SmMI1dbM3Jc

Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance.

LUCIE, Sarah. City University of New York. ProQuest Dissertations Publishing (2020)

Thinking Like a Ruin

LAVERY, Carl and MURRAY, Simon. In: Mitsi E., Despotopoulou A., Dimakopoulou S., Aretoulakis E. (eds) Ruins in the Literary and Cultural Imagination. Palgrave Macmillan, Cham, pp. 249-270 (2020)

VAN BAARLE, Kristof. In The Routledge Companion to Theatre and Politics, 228–31. Abingdon, Oxon ; New York, NY : Routledge (2019)

Robots: Asleep, Awake, Alone, and in Love.

ECKERSALL, Peter; GREHAN Helena; SCHEER, Edward. New Media Dramaturgy. New Dramaturgies. Palgrave Macmillan, London (2017)

Listen to the Bloody Machine

VERDONCK, Kris; VAN BAARLE, Kristof, ECKERSALL, Peter. Artist Talk at the Martin E. Segal Theatre Centre (2016) - https://www.youtube.com/watch?v=z4vWvrd0gDw

Performance in the Twenty-First Century: Theatres of Engagement.

LAVENDER, Andy. Routledge, London (2016)

Between the Object and the Body

VERDONCK, Kris. Lecture during Bodies on Stage: Acting Confronted by Technology. Paris, La Sorbonne (2015)

Actors, Spectators, and “Vibrant” Objects: Kris Verdonck’s ACTOR #1

GREHAN, Helena. TDR/The Drama Review, Vol. 59, Issue 3 (227), p. 132–139 (2015)

Scenographic materialism, affordance and extended cognition in Kris Verdonck's ACTOR #1

McKINNEY, Joslin. Theatre and Performance Design, 1:1-2, 79-93 (2015)

Towards a Dramaturgy of Robots and Object-Figures

ECKERSALL, Peter. TDR/The Drama Review, Vol. 59, Issue 3 (227), p. 123–131 (2015)

Denaturalizing Time: On Kris Verdonck's Performative Installation End

ARFARA, Katia. Theatre Research International, vol. 13 (1), p. 47-56 (2014)

Kris Verdonck's Garden Installation EXOTE: Ecozoic wanderlust at the edge of Eden

VERDOODT, Sofie; STALPAERT, Christel. In Performance Research, vol. 17 (4), p. 106-110 (2012)

Locations of Dramaturgy - Kris Verdonck.

ECKERSALL, Peter. Performance Research: A Journal of the Performing Arts, 17 (3), pp. 68-75 (2012)

Het werk van Kris Verdonck: In-between Presence en Absence.

BEYENS, Noriko. Bachelorscriptie Universiteit Antwerpen (2011)

Le langage beckettien et les nouvelles technologies: Actor #1 de Kris Verdonck.

BOUCO, Catherine in: Samuel Beckett Today / Aujourd'hui, Vol. 21 (2011)

Het werk van Kris Verdonck. De nulgraad van beweging.

MASSCHELEIN, Anneleen in: Rekto:Verso, nr. 44 (2011)

Two-fold Origin: Performing Hybrids between Theatre and Media

VANHOUTTE, Kurt. In Contemporary Theatre Review, vol. 20 (4), p. 475-485 (2010)

Mens/Machine Disciplinering van het lichaam in I/II/III/IIII en END van Kris Verdonck.

SCHELLINGS, Edith. Bachelorproef, Universiteit Utrecht (2010)

De machine, de mens. De visionaire kunsten van Kris Verdonck.

HILLAERT, Wouter in: Ons Erfdeel, nr 1, jg. 53 (2010), p. 134-136

Language: Impossible

VAN BAARLE, Kristof. Masterproef, UGent (2011)

Les objets sont des héros tragiques par excellence.

VAN BEEK, Jozefien in: Transdigital cookbook, nr. 1, p. 29-31 (2010)

Relive the virtual. An analysis of unplugged Performance Installations.

VANDERBEEKEN, Robrecht in: New Theatre Quarterly, vol. 26, nr. 4, p. 361-368 (2010)

I/II/III/IIII als artistieke verificatie: een antwoord op Daniëlle De Regts essay 'Esthetica voor te ver gevorderden'

VANDERBEEKEN, Robrecht in:ETCETERA (2008)